Why, as a modest journalist assigned to cover tele-communication and digital affairs, did I, under the signature of “Gent Nakamura,” find myself compelled to assume responsibility for the entirety of the world? Perhaps it stemmed from my solitary inclination to contemplate in the dimensions of “up and dawn” and “diagonal,” namely the “X,” while others engaged in the more conventional “before and after” and “left and right” thinking.
My education in art history and philosophy of art endowed me with a profound “schematic thinking.” Triptychs exist, and matrices unfold.
The crux of the matter lies in the infrastructure, or, in a Japanese manner of expression, it is akin to the B of Japan, embodying the essence of it all.
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